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Lizzie Perring


CertEd, DipMus, MA,
Dip Counselling & Psychotherapy
Monday, 06 October 2008
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The Singing Process

THE SINGING PROCESS: Some notes

WHY TAKE SINGING LESSONS? 

  womansing1
Your practice time needs to be sacrosanct in your household. Some of you will practice as you drive, but that's never enough on its own. The only way to really progress is to protect time alone in a place where you can formally practice in a distraction free environment what is learned in lessons. You will need to reach agreements with family and companions about this.

Here is how to think about what is needed to give your voice the best chance to develop into a beautiful robust instrument that you can depend on and control:


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Develop a secure breathing technique that allows you control over the sound of your voice. Regular breathing exercises will extend and develop your ability to tackle longer phrasing in your songs and this will add to the sense of artistry in your interpretation of any kind of music and words.


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Nurture your voice through long sustained notes and humming. Seek the sound that releases your voice from your throat and sets it resonating in the cavities of your head.
 

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Focus the sound you make by singing "into the mask". Cut out the breathiness. You can put it back for effect if you have control over this. Feel the resonating sound in your nasal cavities, your soft palate and other cavities around your face. Ultimately, with the higher notes, feel the sound resonating in your forehead and the top of your head.


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Stretch your voice through portamento (gliding) exercises, scales and arpeggios, always ensuring that you have an open throat and that you give extra diaphragmatic support for the higher notes.


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Develop agility through the advanced vocalises and through singing the runs and decorations in classical and baroque music and/or through Soul, Blues or "R and B" type extemporisations.
 

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Care for your voice by becoming sensitive to the way you speak. If you are training your singing voice your speaking voice will change in tone. Take care not to abuse your speaking voice by shouting or straining. This will set your singing voice back. When you have practised or had a lesson speak softly for an hour or so afterwards. If you have strained your voice or have a tense or sore throat, don't sing. Humming with an open throat may still be OK. Not singing means you can take the precious practise time to learn words, download music and sheet music, organise your repertoire folder and read and research
 

I hope that this is helpful.


Lizzie Perring